Phobocosm - Bringer Of Drought




This Montreal based quartet released their debut album, Deprived, in 2014. It was a great death metal album with thick and warm production, swirling riffs and a drummer that holds strong and memorable rhythms. They have the ability to create imageries via soundscapes and music. And they know that. Bringer Of Drought steps into dark and depressive ambience and doom aesthetics while playing swirling death metal riffs and leads. The overall feeling and production is darker that its predecessor and they have a broader and looser approach in composition. The songs are more open, the circles are broader and the structures take longer to complete.

Bringer Of Drought expresses a holistic and global catastrophe. It is about the feeling of being taken over by the waves that the lead guitar is creating, the beats of the drums and the narrator’s voice describing our impending end. What was predominant in their debut is now the means to move further into their own path, by going beyond the compositional boundaries of death metal and enclosing chaos and darkness through ambience.

Engulfing Dust opens the album with a doom oriented structure that moves slowly for the duration of the 8+ minutes. It works as an introduction to the album and the beginning of our descent. With slow drum patterns, a nice leading melody and the dominant voice, it sets the ground for the next songs.

Tidal Scourge comes and the drummer shows his skills. The circular patterns, other times slow and other times aggressive and fast, are impressive. The contrast between the leads that move as though they want to break away from the structure and the rhythmic drums that move in spiraling motion, create the sense of anxiety and fear. It feels like a menacing wind that can suffocate you and bury you under dust and rocks.

The third song, Ordeal, is the shortest and denser song of the album. Everything that is Bringer Of Drought is heard and felt in this song; the leads that can madden you, the strong and rhythmic drumming, the clear wall of sound created by the bass and the imposing narration over them.

Fallen closes the album on a high note. It has two themes that replace each other. It builds slowly and then bursts out through the leads and the fast drumming, moving back and forth, in a pendulum motion, between chaos and calm.

This album is, as they titled it, a bringer of drought and within it you can listen and experience both the desperation that comes during the chaotic storm and the drought that is left afterwards; a movement between ambient desolation and hopeless war against powers that are beyond human reach.

Phobocosm’s second album is about 35 minutes with four songs and it is constructed methodically, emphasizing the doom and ambient aura, with leads that feel like a spiraling wind and drums that appear as structures of stone or marble, depending on the pace. It builds a storm around the core elements of death metal. A very good album and I feel that they have a lot more to give. The best is yet to come from them.

Recommended Track: Fallen

Released: 13/5/2016

Howls Of Ebb - Cursus Impasse: The Pendlomic Vows




Howls Of Ebb is a duo of musicians that like to move into uncharted realms and get their hands dirty and muddy. They don’t just play death metal, they create the whole environment of a death metal fantasy world. It is the aesthetics of their music that helps the listener get sucked into, explore and experience a deviant world, filled with riffs, leads, solos, drum patterns that seem scattered but they are actually the pillars and a narrator that moves from whispers to growls, like a dark spirit that visits us in our nightmares. Cursus Impasse: The Pendlomic Vows should be viewed as a whole, a fully developed construction of apocryphal musings. It brings out a sense of rocking and fun. It is dark, it is twisted, it is muddy but it rocks. And that is not easy to achieve.

Their identity, the thing that makes them who they are as musicians, is the different paths that the instruments take, creating a form of dissonance and diversity, while still working together to create a coherent song. The composition is a structure of sounds that move around an axis, while they take different forms. Ambient sounds, leads and the narration have a playful tone, like a Trickster that enjoys messing with our minds and make us a part of this concave, weird and abnormal world of theirs.

The production creates a warm environment, like a cloud of heated vapor inside a humid cave. The drums sound like wooden ritualistic toms of ancient litanies, playing patterns that could accompany the high priest’s mumblings of mystical appearances in search for the dark morbid Zen. 

For example, Maat Mons’ Fume begins with ambience, drums and bass that set the environment. A guitar appears, playing a simple chord that works in the background for the duration of the first part of the song, creating an eerie atmosphere. The riffs and the mumbling of the voice work together, until the song builds up and the voice takes over. The guitars work with solos and leads around the voice and the central circular riff.

They have a skill at composing unusual song structures that emanate an unnerving, dark and creepy atmosphere without being aggressive. Attractive, mysterious and weird, Cuscus Impasse: The Pendlomic Vows is an album for those who like to have fun in ancient mystical ruins and conjure the spirits of unknown worlds.

Roteen' Blisssss and Zee-Luuuvft-Huund, the members of HoB, debuted with “Vigils Of The 3rd Eye” in 2014 and fully expressed their unique sound; an impressive album that gained attention. Last year they released an EP, “The Marrow Veil”, that ventured further into their fluid, unconstricted madness. With Cursus Impasse: The Pnedlomic Vows they appear to be more defined, if anyone can say this for HoB without having a smirk on their face, and they play music with one foot on the beyond and the other rooted in death metal.

The cover art reflects the aesthetics of Hob’s music. A painting called Theoin by Agostino Arrivabene. Go and admire his work HERE.

Recommended Track: The Subliminal Lock – A Precursor To Vengeance

Released on April 15th, 2016