Schizoid Lloyd - The last note in God's Magnum Opus - review




Dear Schizoid,

There are some thoughts that I would like to share with you in my attempt to explain why I have decided to break up with you.

When I first met you, I felt an unexplainable attraction for you. I liked your weird hair and clothes, your deranged sense of humor and your skills at creating freakish structures with musical pieces that seemed incompatible. But, what was a first impression of a mature multi layered personality is now a disappointing image of a worn out and confused individual and for that I blame myself. I misjudged you and I really believed that there was a future between us. Oh, I could not describe my change of heart easily, but I will try.

These riffs that caught my attention, in songs like ‘suicide penguin’, ‘avalanche riders’, ‘misanthrope puppet’ fell flat when there was nothing to hold them tight and make the songs stand out. Your vocal lines, the ones that resembled the same style that Queen expressed so diligently, really have a spark in them and when they are embodied into actual songs, they do tend to make everything flow. Take ‘amphibian seer’ for example. I really like this song and I think it’s the best in the whole album, mostly because it feels like, you know, a song.




There were times, mostly between your silly imitations of children’s playing aloud and rappers…ehm…rapping,  where you were talking about the need for art to be groundbreaking, pushing the envelope and moving into uncharted territory, like so many did before us. You mentioned other crazies, I remember. Like Frank Zappa, Captain Beefheart and Mr. Bungle. I wanted to be honest with you when it became clear to me that you lacked something crucial when it comes to art, but I sat there patiently, waiting, or should I say hoping, for a glimpse of it. Your heart, that is.

You are all mind and no heart and I can’t stand this. I just can’t. Everything sounds very thoughtful and worked out with precision, even if you wanted it to sound spontaneous, and as a result, the whole album lacks anything that would animate it into a living and breathing being. Someone that I could have fun with and spend time discovering the never ending faces of one’s personality.

Now I write this, feeling sure about it. In your attempt to be avant-garde you resulted into a faceless mold of conjoined ideas and inspirations. Was it your aspirations and your need to differentiate from everything? Is your need to draw attention so uncontrollable as to sacrifice the one thing that no one can ever deny you? Or was it something much simpler? I am sure you had fun creating this. But I didn’t have any fun listening to this.

I will end this sad and difficult note by giving you what I understand to be helpful. Put your shit together. Cut down on your superfluity and let your heart express itself. Then we can talk again.

Love,

Lloyd.



P.S. Keep the solos.

The band's facebook page


Αυτό είναι στα ελληνικά

Howls of Ebb - Vigils of the 3rd Eye review




I've tried very hard to avoid writing a review for ‘Howls of Ebb’. The reason is simple. It’s old news. Their debut was released in February of 2014. That is a long time ago and when being bombarded with new music every single day has been the norm for me, and I am grateful for that, it is relatively easy for some albums to slip through the cracks.


The collective creation of their unique and mandatory vision, forced to them by forces unseen, unexplained and awe inspiring.

I became acquainted with these obscure and weird fellas almost two months ago, while I was surfing the dark and metallic side of the internet. I found two intriguing factors that held my attention. Their cover is weird as fuck and it was released via I, voidhanger records, which specializes in weird as fuck releases. And then I listened to the album.

The arrangement is abnormal, the vocalist whispers and speaks like an ancient deity from a never to be discovered lost civilization. Their lyrical approach is that of a galactic war between the forces of good and evil. Numbers play a significant role and it seems to me that they are expressing a philosophical dark art where universes submerge into the black void of nothingness.





If I were to put them under a bright white light of an interrogation room, I would say that they are the bastard sons of death and black metal, a group of individuals with a unique vision that leads them to push the envelope and walk into uncharted musical territory.

They do not care about normality. They do not care about acceptance. They do not care about being understood. They care for only one thing. The collective creation of their unique and mandatory vision, forced unto them by forces unseen, unexplained and awe inspiring.


Soaring the might of blue abyss, fly!
Tangle the tentacles of mind, divine!
Ripe with the sweet essence of creep, sin!
3 of a pair eat sheep amongst green vile winds


But even in this abnormal expression, one can come in touch with the humane and mortal nature of this entity. There is structure. There is a layout. They never go too far as to reach a point where avant-garde becomes impossible to bear. The listener will be welcomed into their world, but he, or she, needs to be in a state of acute attention and acceptance or he will be lost and confused.

The ‘Vigils of the 3rd eye’ is the abnormal, illucid and obscure architecture of a Lovecraftian city. Are you willing to live there?


Wiping, and trifling, and stumbling, and falling
Amongst bumps and deep ends
In Dark, In Mind, In Nothing
From the crevices they crawl and win!

Illucid Illuminati
Cradling the sphere. loosening the spin
Illucid Illuminati
Heeding the Vortex, ripening the Blend

Illucid Illuminati
Standing mist high, floating beyond winds
Illucid Illuminati
Beckoning fruitful visions, yes, it will cleanse




Listen to: Illucid Illuminaty of the Dark